Thursday, April 23, 2015

Disney's Breaking Beanstalk News

Announced Thursday morning via The Hollywood Reporter:
Disney and Vince Gilligan, the creator of the acclaimed and very gritty AMC drama Breaking Bad, are teaming up to adapt the fairy tale Jack and the Beanstalk. 
The studio is in negotiations to pick up Beanstalk, described as a revisionist take on the tale involving a young boy, magic beans and a giant, The Hollywood Reporter has confirmed. 
Gilligan has written a treatment for the project which will be written by Thomas Schnauz. Gilligan knows Schnauz pretty well: The man was a writer and co-executive producer on Gilligan's Breaking Bad and is working on the spinoff show Better Call Saul.

"Revisionist" is one of those buzzwords you see flying around reboots all the time. I'm not sure how they could do anything but a "revisionist take" at this juncture. After Jack the Giant Killer, I'm pretty sure they know they're going to need a different approach. (To be clear, the definition of revisionist (adj.) is: attempting to reevaluate and restate the past based on newly acquired standards.)

Vince Gilligan is known for flipping societal values on their heads, after all, he got a large part of the nation to sympathize with meth makers, and his upcoming show's protagonist also has a despicable character, so it's not too hard to see how he might 'revision' Jack et al.
While Gilligan and Schnauz's Breaking Bad credentials may seem like an odd choice to revive a beloved fairy tale, the sagas of Walter White and Jack — desperate men who will stop at nothing in order to provide for their families — aren't that dissimilar. (Rolling Stone)
But this is Disney and if they've proven anything the last few years, it's that they like to play it safe with the brand so I guess we'll see.

I can't help wondering if the general fan outcry from OUAT fans who still lament the quick demise of the female Jack, is influencing this in any way. And it's clear the positive reaction to see the traditional take on Jack in their Into The Woods, showed them the story still appeals, so there's that. I'm just wondering what this means for Disney's Giants (feature animated film based on Jack & the Beanstalk) which has been pushed back and back and back again until it's dangling out there around mid-2018. Is that still happening? I sincerely hope so.
Whatever the case this will be Disney's fifth time doing Jack and the Beanstalk in some variation now (including two early cartoons, OUAT and Into The Woods and that doesn't' include Giants yet), so maybe 'revisit' or 'reboot', even, would be better terms than 'revisionist'.

But my real thoughts? Totally curious. Really want to see what the plans are for this one, because I love that rascal Jack and his magic vegetables.

"Toad Words and Other Stories": Review by S. Y. Affolee

"Toad Words and Other Stories"

Review by S. Y. Affolee

Editor's Note: I came across this ebook fortuitously, via an artwork search. I loved the cover, which instantly said "fairy tale" to me and looked into it further. I realized I'd read at least one of these stories before somewhere, and when I discovered where, I thought it was high time I brought it to other fairy tale folk's attention. I think you'll enjoy reading why from our reviewer's point of view.
Jacket description: 

From author T. Kingfisher comes a collection of fairy-tale retellings for adults. By turns funny and dark, sad and lyrical, this anthology draws together in one volume such stories as "The Wolf and the Woodsman," "Loathly," and "Bluebeard's Wife," along with an all-new novella, "Boar & Apples." 
Author's Note: Many of these stories have appeared in various forms on the author's blog.
This anthology by T. Kingfisher (AKA children’s fiction writer Ursula Vernon) is a wonderful assortment of retellings with vivid, crisp writing and dark undercurrents that echo the unvarnished fairy tales of the past. As her use of a pen name indicates, these stories are far from the Disneyfied versions and Kingfisher doesn’t shy away from the darker parts of human nature. While Toad Words may not be suitable for kids, by uncovering modern concerns, this collection is sure to resonate with adult audiences.

What I found most fascinating about this collection was how the retellings rely on transforming the tales’ core messages rather than simply swapping window dressing. For me, altering details like time periods and settings merely make a retelling a variation on the original. But several of these stories focus on self-examination and self-acceptance rather than the original tales’ emphases.

For example, Kingfisher’s retelling of Charles Perrault’s “Diamonds and Toads” is told from the vantage of the cursed sister. While the original story rewards correct behavior and punishes incorrect behavior, “Toad Words” considers the possibility that what seems like a curse may actually be a gift in disguise. Later on, “Bluebeard’s Wife” examines an alternate personality for the newly married heroine. She values the notion of privacy so much that she cannot think of impinging on another’s, even if there are signs indicating something isn’t quite right. If Bluebeard’s wife is changed from being insatiably curious to being completely incurious, will it alter the story’s outcome?

This anthology also reimagines the Arthurian Loathly Lady trope. The cursed maiden is no longer some prize won by a knight, but a metaphor for the acceptance of self, beast and all. This retelling neatly parallels the pathway many tread on their way towards self-acceptance--first hating themselves for seemingly monstrous flaws, then transforming themselves (in a traumatic way) to fit society’s expectations, and finally realizing that contentment requires embracing those so-called flaws regardless of what society thinks. 

A novella version of Snow White called “Boar & Apples” balances darkness and whimsy. What really made this story stand out for me was the reframing of classic tropes. Here, the queen is not monolithically evil, but a stand-in for parts of society where horrific deeds may be symptoms of mental illness. Snow is no longer the passive princess who has a prince rescue her. Circumstances force her out of passivity to take her own agency. Dwarves are replaced by wise-cracking pigs, which may sound unusual at first, but is actually an inspired choice. Because pig hearts have anatomical similarities to human hearts and have been considered by the medical field for possible transplantation, it makes sense that an old sow’s heart fooled the queen when the huntsman brought it back as “proof” of Snow’s death. There are many such instances illustrating how human the pigs are. Their kindness and courage not only give Snow a role model for behavior but turn the demeaning metaphor “behaving like a pig” completely on its ear. 

Adult readers who enjoy short story retellings with a modernist twist will find many gems in this collection. Kingfisher’s succinct and conversational tone in dealing with the darker issues harkens back to the matter-of-fact recounting found in the original tales that heightened their fantastic and gruesome aspects. But by fundamentally giving the stories new motivations and personalities, the author has put together an excellent fairy tale anthology that is not only well written, but also conceptually provoking.
_____________________________________________________________________________
Note: Additional novella by T. Kingfisher in same vein also available, though not reviewed here.

Description: Rhea is an ordinary miller’s daughter, engaged to be married under suspicious circumstances to a man not of her choosing. He has unknown powers and a manor house full of mysterious women. 

Rhea has a hedgehog.

It’s probably not going to be enough.

From T. Kingfisher, author of “Toad Words & Other Stories,” and “Nine Goblins” comes a retold fairy-tale of white roads, dark magic, and small mammals.
Disclosure: A complimentary copy of the eBook was given in exchange for an honest review.

S. Y. Affolee is the pseudonym for a biomedical scientist currently working in Southern California. Outside of the lab, she’s an avid bookshop hunter, tea drinker, and inveterate scribbler. She’s always been fascinated by fairy tales and enjoys reading retellings ever since she first picked up Robin McKinley’s Beauty in grade school.

Wednesday, April 22, 2015

The Totoro Forest Project (in Honor of Earth Day)


Dug by Khang Le
Happy Earth Day!
As a late-in-the-day tribute honor to Planet Earth I thought I'd highlight a project inspired by a film, inspired by a forest. My Neighbor Totoro is a film I now see as synonymous with trees and forest wonders and is one of those films all children, in particular, should see regularly from about age four or five. It's a wonderful, beautiful, modern folk tale by Hayao Miyazaki about a little family (two young sisters in particular) and has fairy tale connections as well (more about that another time).
Dream by Paul Topolos

If you know Miyazaki's work, you know he is passionate about preserving childhood joy and the future of the planet. Ponyo was another fairy tale (with The Little Mermaid roots) that looked at the state of our oceans. My Neighbor Totoro looks at the importance of nature and the forest in our lives and healing. That's not to say they're focused on the ecological issues though. These films are delightful tales in and of themselves but they're told within the framework of folklore, wonder and imagination.
Totoro No by Richard Vander Wende

The Totoro Forest Project came about quite a few years ago now, in 2008, as part of an effort to help preserve a special stretch of natural forest.
The Resting Place by Luc Desmarchelier

In tribute to Miyazaki and to support this cause, artists from all over the globe created pieces to be auctioned to raise money for the forest's preservation.
When I Whisper Totoro's Name by Manuel Arenas

From the official site:
A fund raising exhibition/auction to support the national trust Totoro Forest Foundation that Oscar winning film maker Hayao Miyazaki has been helping over the years, featuring original art created by internationally acclaimed artists in the fields of animation, comic books, and illustration. 
Untitled by Rebecca Dautremer
Hayao Miyazaki has been actively supporting the preservation effort of Sayama Forest for more than ten years. This 8750 acre park in the outskirts of Tokyo is also known as Totoro Forest. It's in these woods in fact that the concept for the film "My Neighbor Totoro" was born. 
Untitled by Andrea Blasich
In the past few decades, the forest has been subject to urban development. Only continued support to the Totoro Trust Fund can help preserve this much needed island of green in the midst of Tokyo's urban sprawl. We intend to donate the entire proceeds of the project to this worthy cause. 
Tree Spirit with Bike by Scott Campbell
This event can also be a symbolic gesture, sending a strong message to the world in terms of environmental and social awareness.  Imagine artists from all over the world coming together to donate artwork to help conserve a forest they have never seen.
Kappa no Tabi - The Kappa Journey by Enrico Casarosa
You can find out more about the project HERE.
Untitled by Jillian Tamaki

In this post you can see a small (yes small!) selection of the pieces created and made available for purchase. Here are some more:
Tilden Totoro by Emanuela Cozzi

The Tree Man by Paul Conrad

The Keepers by Jony Chandra

Rescue by Noah Klocek

Intruder by Steve Pilcher

Guardian of Autumn by Eric Orchard

A Gift by Jackson Sze

Alive by Enrique Fernandez

Gatherer by James Jean

Come Out and Play by Charles Vess

I just love it when artists come together to help a cause! There was a limited print run of the artworks made for the auction, the cover of which you can see below. I know they've been looking into getting a reprint but apparently it's not a straightforward thing to do, so if you see one, don't let it disappear... (what an interesting parallel that makes!).

And the WINNER of "The Silver Witch" Giveaway Is...

Many thanks to all our elves for sorting through the entries and verifying each individually (yes - they checked each one!). All the verified correct entries were entered into a (virtual) hat from which was pulled... Jillian Leigh, with her Pinterest entry link! 
CONGRATULATIONS JILLIAN!
Please email me at fairytalenews AT gmail DOT com with your mailing address (if you are in the US, or your preferred email address to be sent the winning e-book), and we will have Paula Brackston's newest book sent to you ASAP.
Note: You have till Friday noon - April 24th - to claim your prize. If unclaimed we will put all the entries back in the hat to draw another winner.

Fairy Tale Hidden Treasures Blog Hop: "The Heart's Door" - A Finnish Fairy Tale

The Fairy Tale Hidden Treasures Blog-Hop, is the brainchild of Adam Hoffman over at Fairy Tale Fandom. Always up for sharing obscure fairy tales we love, Once Upon A Blog immediately signed up to be part of the fun. We are supposed to share a favorite obscure fairy tale (that very likely will NOT end up on OUAT), tell you a little about it, give you an idea of the main story, let you know where it came from and why we love it so, then tag the next treasure hunter... 

For those keeping track, yes, I did switch places with Tales Of Faerie for 'reasons'... (you'll find out why at the end).

So far the revealed tales have been:

[By the way - if you have a blog and would like to get in on the action (it doesn't need to be a fairy tale blog or storytelling blog in particular -you just need to love obscure fairy tales) then please contact Adam Hoffman HERE for details and to see if you can be included in this round.]

On to my tale treasure!
When I heard about the 'hop, I immediately knew I wanted to share a Finnish fairy tale called The Heart's Door. I also knew it would be tricky. While I have three versions in my personal library, know one else seems to know anything about this one. It's not online ANYWHERE (and boy have I hunted!) and, just to make it extra tricky, one of the books I have was reprinted in 2009 so the copyright on that version of the tale (which is the closest to 'original' that we can find in both English and Finnish) is back in force and I'm not able to transcribe it for the web without express permission.

I personally discovered this fairy tale in Neil Philip's wonderful DK book, The Illustrated Book of Fairy Tales, back in the late '90's. It took me a very long time to realize he'd re-titled this tale from Severi and Vappu, which had been sitting in my Scandinavian Folk & Fairy Tales book (edited by Claire Booss) for years. (Titles with just list names, I tend to mentally file under "epics and sagas"  - in this case, that was a big mistake and I missed out on what came to be a favorite fairy tale of mine, for years!) When I finally did realize what I'd been sitting on (and read the much longer version) I agreed with Mr. Philip: The Heart's Door is a perfect title for this fairy tale and I will always think of it that way.

Why do I love it? I'm a sucker for fairy tales with transformations. They're my favorite kind of 'wonder' in tales but The Heart's Door does it a little differently. You may recall Heidi at SurLaLune mentioning the 2009 reprint of a book called Tales from a Finnish Tupa, some time ago (a tupa is a Finnish peasant hut, complete with the all-important fireside for storytelling). To highlight what is unique about Finnish fairy tales from other European ones, she included an excerpt from the Notes on Finnish Folklore in the back of the book and I will do the same:
The heart of Finnish folk lore is magic. As Lafcadio Hearnhas so well said:
“The magic is not like anything else known by that name in European literature. The magic is entirely the magic of words. These ancient people believed in the existence of words, by the utterance of which anything might be accomplished. Instead of buying wood and hiring carpenters, you might build a house by uttering certain magical words. If you had no horse, and wanted to travel rapidly, you would make a horse for yourself out of bits of bark and old sticks by uttering over them certain magical words. But this was not all. Beings of intellect, men and women, whole armies of men, in fact, might be created in a moment by the utterance of these magical words.”
The magical words in this story allow the main character to hide inside... things - things you wouldn't normally be able to hide inside (no barrels or wash-baskets etc). It's a special sort of hiding and a special sort of transformation and I love the idea of the way this character is hidden. Most hiding in tales is to stay safe or get away from danger by diversion of camouflage, but, again, this is different. This tale also has other things I like: it has a little mystery, has motifs in common with other tales that are used very differently, but most of all it's about choices and dealing with consequences.

Because there is no text online for you to read, I've done my best to retell the story in short form. I've expanded beyond the points included in the DK version and put the emphasis back on the use of words and word-magic, but it's still much shorter than either of the other printings I have as well. I left out a lot of descriptive detail and got right to the parts that I love the most. As with all storytellers, it has my 'print' and emphasis on it, but I believe that is a storyteller's prerogative. ;)

And I've done something else: because this is all about 'hidden treasures' and my tale is also about 'hidden treasures' I have hidden another treasure within this tale for you to find... 
[For you 'pop-culturalists', think Easter egg. I did NOT make it easy... but it's definitely there... ]
Photographer & artist unknown - any information appreciated so can properly credit
[Found on fototalisman.livejournal.com]
Now, without further ado, I present to you:
The Heart’s Door
A Finnish Fairy Tale
(also known as “Severi and Vappu”)
A retelling by Gypsy Thornton

Once there was a boy named Severi who announced one spring morning that it was high time he had adventures and seek his fortune.
“What are you seeking?” people asked.
”I do not know yet,” Severi replied, “But when I find it, I’ll know then,’ he said, and waved goodbye.

He walked over bright meadows and through dark woods, sailed over great seas and survived ocean storms. He climbed up a great black cliff and down a long stone stairway, until eventually, at what he thought must be the very heart of the earth itself, he found a golden door.

He lifted his hand to knock and it swung open for him, so he stepped through. Inside was a magical world of green hills with fragrant flowers and shiny plumed birds sang among lush trees, all laden with golden fruit. In the distance, turrets of a copper castle rose into the air, shining like red gold in the sunlight. Immediately Severi set out straight toward it. There he met a strange old man with glittering white hair and very young cheeks, who asked him who he was and where he was going.

“My name is Severi,” he replied, and told him of his journey so far. “And now I am here. I do not know yet where I am going to, but when I get there, I’ll know then.”

Ka!” said the white-haired man, “Since you’ve come such a long way, why don’t you stay here with me awhile? I live in the copper castle, just beyond.”

So Severi went with the old man to live in the copper castle. When he’d been given all the good food he could eat, the old man held up a heavy ring full of keys. “Here are the keys to the castle: twenty four keys for twenty four rooms. Feel free to go into any, except for the last. If you open that twenty-fourth door, you do so at your own risk. I am not to blame for whatever may happen.”

“I understand,” said Severi, accepting the keys, but already he was quite curious.

Before long the old man set out on a journey that would take him far away and the instant Severi was alone, he began to explore.

Each door held a room of wonders, the next even better than the last: one seemed on fire, it dazzled with so much copper, while the next glittered with so much gold it hurt his eyes. Another was all ebony, another, blue sapphire, yet with each door he grew sadder and sadder until he stopped in the middle of the twenty-third room, too sad, even, to touch anything.

“Now I have seen it all. My adventures are over and done. I might as well just go back to my tupa.” He sighed, lay down right where he was, and fell asleep.


When he awoke he found the key to the twenty-fourth door clasped in his hand.

“The old man said I could enter at my own risk, “ he thought, turning it over curiously. “I will open it and find out what happens,” and he bravely turned the key in the twenty-fourth lock, then pushed open the heavy door.

Inside, sitting on a very high throne, was the loveliest girl in all the world.
“Who are you?” asked Severi.
“My name is Vappu,” said the girl. “I’ve been waiting for you a very long time.” Severi held out his hand and she put hers in his then climbed down to him.

The golden days that followed were like a dream as the two lived together in the copper castle. For a whole month, they sat by the silver stream and feasted on golden fruit with not a care in the world. One day Vappu led Severi into a deep orchard. Cool winds caressed the trees and their faces and at the center blossomed the Tree of Life. They sat beneath it, ate its fruit and drank from the sparkling brook nearby. Completely content, Severi fell into a deep sleep under the Tree. When he awoke, Vappu was gone.

“Vappu!” he called. “Vappu! Vappu!” and his calling turned to cries and his cries turned to tears, for she was nowhere within and nowhere without.

When the old man returned home he found Severi in deep misery.
“Please help me find her”, Severi begged. “I cannot live without her.”

The old man chuckled. “That’s the way it always happens when you do what you should have left undone. I warned you about that twenty-fourth door,” he said.

“I am a grown man,” Severi replied. “I make my own choices. And you did not tell me I must not enter, only that to do so, would be my own risk. ”

“That is fair,” the old man said, gently. “But have your choices made you wiser?”

“My sorrow has made me older – but yes, wiser too. Please help me find my Vappu - that is all I ask.”

The old man muttered some words of magic and there stood Vappu, radiant as a sunbeam.

“Did you miss me Severi?” she asked.

“All my happiness disappeared with you!” Severi said to her. “Please, never leave me again.”

“I will promise,” said Vapu, “But on one condition: you must hide from me where I cannot find you. Then, and then only, will I always be with you. You have three chances.”

Severi did not understand what she meant, but the old man whispered a magic charm in his ear and promised he would help.

Severi did not want to hide but knew he must try if he wanted to win her, so the first day he snuck away over the hills and whispered his charm to a rabbit running by. It stopped, let him hide inside its thumping heart then ran on, even faster than before. But Vappu quickly tracked him down.
“You are not very good at hide-and-seek Severi,” she said. “Try again.”

The next day Severi stole away into the dark heart of the forest and whispered his charm to a bear ferociously guarding its den. It stopped, let him hide inside its warm heart then growled, more ferociously than ever before. But Vappu still, somehow, tracked him down.
“I have found you Severi! You cannot hide from me. You have one last try.”

Sadly, Severi walked back to the castle. He could not think how to hide from clever Vappu.

The next day, at a hint and a wink from the old man, Severi finally decided to hide in Vappu’s own heart. He drew close to her and softly whispered his charm:

“Three times I knock at your door, dear heart, 
Let me in, heart’s jewel, let me in!”
And he vanished right before Vappu’s eyes.

Try as she might, Vappu could not find him anywhere. 

When she had looked and looked and looked some more, Severi called to her:
“Can you not find me, Golden One?”
“I cannot - where are you?” asked Vappu.
“Here in your heart,” answered Severi.
“Who led you here?”

“You, Vappu. You led me here.”
“Then my heart is yours,” said Vappu.


Severi came out of his hiding place and she held him as close as he held her.
“And now,” said Severi, “I’ve found you.”
And they lived in peace, ever after, in their copper castle, beside the silver stream, beneath the golden trees.

…………………«§ The End §»…………………


Did you find the hidden treasure in the tale? 
If you like spelunking for information and digging for gems of knowledge, then you will like this: there's a hidden page I've linked to in which I have put 
an annotated version
(And if you looked but didn't find it yet - go back and check the text carefully. It's a teeny tiny link, hidden within the text of the tale - and yes - I checked - it's there and it's working.)
When I wasn't able to find an e-text of the original for you to read, and I wasn't able to reprint the original on the blog due to copyright reasons, (I have contacted the publishers - plural - to ask for special permission but these things take time to sort out. I am still pursuing permissions as of this posting, so no e-text yet), I decided to use the opportunity to give you more information about the tale than I should sensibly put in a blog post, and send you on a treasure hunt instead. Turns out, these things take a good amount of work to put together, (!) hence the place swap. (Thanks for being understanding Adam!)
In the annotated version, you can find out more about the original form of the story, learn more Finnish words, the original wording of key phrases, tidbits on Finnish culture and mythology, and uncover links between motifs to other fairy tales around the world - some of which you know very well! 

Happy hunting!

And next up in the Fairy Tale Hidden Treasures Blog Hop is: Megan Hicks at Life, the Universe and Everything! (Hey Megan: TAG - you're it!)

Credits for images within the tale: 
1. Secret Door by Georgina Gibson
2. Fantasy Castle Wallpaper - artist unknown
3. Antique keys - photographer unknown
4. Antique door knob - photographer unknown
5. The Golden Apple Tree and Nine Peahens by Arthur Rackham
6.  From "The Princess in the Underground Kingdom" by Pavel Tatarnikov
7. A Golden Dream by Thomas Cooper Gotch
8.  Searching by Amanda Clark
9.  Bearskin Falling by Ellen Li
10. The Lover's World by Eleanor Fortescue-Brickdale 
11. Detail of Brunnhilde and Siegfried...from Rhinegold and Valkyries series by Arthur Rackham from an opera Siegfried by Richard Wagner